đŋ The Sundarbans: The Largest Mangrove Forest in the World
Introduction
The Sundarbans is the largest mangrove forest in the world, stretching across the southern parts of Bangladesh and eastern India. It is not only famous for its unique natural beauty but also home to diverse wildlife, including the majestic Royal Bengal Tiger. The Sundarbans is a vital part of Bangladesh’s identity and ecological balance.
Location and Area
The total area of the Sundarbans is approximately 10,000 square kilometers, of which about 6,017 square kilometers lie within Bangladesh. It covers parts of Khulna, Satkhira, and Bagerhat districts and extends all the way to the Bay of Bengal. The forest lies in the delta formed by the confluence of the Ganges, Brahmaputra, and Meghna rivers.
Origin of the Name
The name "Sundarbans" is believed to have come from the Sundari tree, which is commonly found in the forest. Some people also believe that the name means "beautiful forest" (Sundar = beautiful, Ban = forest) — both definitions fitting its magnificent natural charm.
Environment and Ecosystem
The Sundarbans is a tidal forest, meaning it is affected by the ebb and flow of the tide. It consists of rivers, canals, mudflats, and small islands. The ecosystem here is unique because of the mixture of saltwater and freshwater. The soil is saline, and the vegetation has adapted to survive in these conditions. This dynamic environment supports a wide variety of flora and fauna.
Wildlife
The Royal Bengal Tiger is the most iconic and majestic inhabitant of the Sundarbans. It is known for its strength, swimming ability, and mysterious nature. Alongside tigers, the Sundarbans is home to:
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Spotted deer (Chital)
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Monkeys
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Crocodiles
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Pythons
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Fishing cats
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Turtles
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Mud crabs
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Various types of birds, such as kingfishers, herons, eagles, and migratory birds.
The forest harbors over 450 animal species, 330 bird species, and numerous fish and insect species. Its biodiversity is globally significant.
Plant Life
The vegetation in the Sundarbans is uniquely adapted to the saline conditions. Major plant species include:
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Sundari tree (Heritiera fomes)
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GewÄ
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Goran
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Keora
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Hingul
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Golpata (used for roofing)
These trees have pneumatophores, or breathing roots, which help them survive in waterlogged soil and also help reduce erosion.
Economic Importance
The Sundarbans contributes significantly to the local and national economy:
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Honey Collection – Locals collect honey seasonally from the forest, which is famous for its purity.
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Fisheries – The rivers and canals are rich in fish and crabs, sustaining thousands of fishermen.
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Forest Products – Timber, golpata, and medicinal plants are collected under strict government regulation.
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Tourism – It attracts both domestic and international tourists, generating income for locals.
Protection Against Natural Disasters
One of the greatest roles of the Sundarbans is protecting coastal areas from natural disasters like cyclones and tidal surges. It acts as a natural barrier, reducing the impact of:
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Cyclone Sidr (2007)
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Cyclone Aila (2009)
Without the Sundarbans, the damage from these events could have been far more catastrophic.
UNESCO World Heritage Status
In 1997, UNESCO declared the Sundarbans a World Heritage Site, recognizing its ecological importance and exceptional biodiversity. This global acknowledgment has helped increase awareness about conserving the forest.
Threats and Challenges
Despite its importance, the Sundarbans faces several threats:
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Illegal logging and deforestation
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Pollution from nearby industries and ships
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Climate change – Rising sea levels are salinizing the soil and reducing tree growth.
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Wildlife poaching and trafficking
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Shrimp farming – Converting forest land into shrimp farms is destroying the ecosystem.
Additionally, industrial development projects, including coal-based power plants, have raised serious concerns among environmentalists about the long-term health of the forest.
Conservation Efforts
To protect this precious forest, the Bangladesh government and various organizations have initiated several steps:
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Deploying forest guards and patrol boats
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Declaring parts of the forest as sanctuaries
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Restricting access to sensitive areas
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Celebrating Sundarbans Day (February 14) to raise awareness
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International support from organizations like WWF, IUCN, and UNDP
Public awareness and community participation are also playing a crucial role in preservation.
Tourism in the Sundarbans
The Sundarbans is a popular tourist destination for nature lovers, birdwatchers, and adventure seekers. Notable tourist spots include:
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Katka – Wildlife watching area
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Kochikhali – Known for deer and tiger sightings
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Hiron Point – UNESCO site and home to rare species
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Dubla Island – Hosts the famous Rash Mela and attracts fishermen and pilgrims
Tourists usually travel by boat, exploring the forest via river routes, enjoying the peace, and witnessing the fascinating flora and fauna.
Local Communities
Many people living near the Sundarbans depend on it for their livelihoods. However, these communities are also among the most vulnerable to the impacts of climate change and natural disasters. NGOs have been working to develop alternative livelihoods (such as eco-tourism, handicrafts, and sustainable fishing) to reduce pressure on forest resources.
Climate Change and the Future of Sundarbans
The biggest long-term threat to the Sundarbans is climate change. Rising sea levels, increased salinity, and frequent cyclones are already affecting the forest’s ecosystem.
If urgent steps are not taken to curb greenhouse gas emissions and implement sustainable development, the Sundarbans may suffer irreversible damage. Scientists fear that large parts of the forest could be submerged by the end of this century if current trends continue.
Conclusion
The Sundarbans is not just a forest—it is a vital ecosystem, a shield against disasters, a source of livelihood, and a national treasure. It symbolizes the natural richness of Bangladesh and plays a key role in maintaining ecological balance.
We must all work together—governments, organizations, and individuals—to protect, preserve, and restore the Sundarbans. Only then can this extraordinary forest continue to inspire, shelter, and sustain life for generations to come.
Translation Bangla
đŋ āϏুāύ্āĻĻāϰāĻŦāύ: āĻŦিāĻļ্āĻŦেāϰ āĻŦৃāĻšāϤ্āϤāĻŽ āĻŽ্āϝাāύāĻ্āϰোāĻ āĻŦāύ
āĻূāĻŽিāĻা
āϏুāύ্āĻĻāϰāĻŦāύ āĻšāϞো āĻĒৃāĻĨিāĻŦীāϰ āϏāϰ্āĻŦāĻŦৃāĻšā§ āĻŽ্āϝাāύāĻ্āϰোāĻ āĻŦāύ, āϝা āĻŦাংāϞাāĻĻেāĻļ āĻ āĻাāϰāϤেāϰ āĻāĻĒāĻূāϞāĻŦāϰ্āϤী āĻ āĻ্āĻāϞে āĻŦিāϏ্āϤৃāϤ। āĻāĻ āĻŦāύ āĻļুāϧুāĻŽাāϤ্āϰ āĻĒ্āϰাāĻৃāϤিāĻ āϏৌāύ্āĻĻāϰ্āϝেāϰ āĻāύ্āϝ āĻŦিāĻ্āϝাāϤ āύāϝ়, āĻŦāϰং āĻāĻি āĻāĻāĻি āĻীāĻŦāĻŦৈāĻিāϤ্āϰ্āϝে āĻāϰāĻĒুāϰ āĻ āĻ্āĻāϞ āĻāĻŦং āĻ āύেāĻ āĻŦিāϰāϞ āĻĒ্āϰাāĻŖীāϰ āĻāĻŦাāϏāϏ্āĻĨāϞ। āĻŦাংāϞাāĻĻেāĻļ āĻ ংāĻļেāϰ āϏুāύ্āĻĻāϰāĻŦāύāĻ āϏāĻŦāĻেāϝ়ে āĻŦāĻĄ় āĻāĻŦং āĻāĻি āĻāĻŽাāĻĻেāϰ āĻĻেāĻļেāϰ āĻāύ্āϝ āĻāĻāĻি āĻāϰ্āĻŦেāϰ āĻŦিāώā§।
āĻ āĻŦāϏ্āĻĨাāύ āĻ āĻā§āϤāύ
āϏুāύ্āĻĻāϰāĻŦāύেāϰ āĻŽোāĻ āĻā§āϤāύ āĻĒ্āϰাā§ ā§§ā§Ļ,ā§Ļā§Ļā§Ļ āĻŦāϰ্āĻ āĻিāϞোāĻŽিāĻাāϰ, āϝাāϰ āĻŽāϧ্āϝে āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ ংāĻļে āϰā§েāĻে āĻĒ্āϰাāϝ় ā§Ŧ,ā§Ļā§§ā§ āĻŦāϰ্āĻ āĻিāϞোāĻŽিāĻাāϰ। āĻāĻি āĻুāϞāύা, āϏাāϤāĻ্āώীāϰা āĻ āĻŦাāĻেāϰāĻšাāĻ āĻেāϞাāϰ āĻ ংāĻļ āĻুāĻĄ়ে āĻŦিāϏ্āϤৃāϤ। āĻŦāύāĻি āĻāĻ্āĻা, āĻŦ্āϰāĻš্āĻŽāĻĒুāϤ্āϰ āĻ āĻŽেāĻāύা āύāĻĻীāϰ āĻŽোāĻšāύাāϝ় āĻ āĻŦāϏ্āĻĨিāϤ āĻāĻŦং āĻāϰ āĻŦিāϏ্āϤৃāϤি āĻŦāĻ্āĻোāĻĒāϏাāĻāϰ āĻĒāϰ্āϝāύ্āϤ।
āύাāĻŽāĻāϰāĻŖেāϰ āĻāϤিāĻšাāϏ
‘āϏুāύ্āĻĻāϰāĻŦāύ’ āύাāĻŽāĻি āĻāϏেāĻে ‘āϏুāύ্āĻĻāϰী āĻাāĻ’ āĻĨেāĻে, āϝা āĻāĻ āĻ āĻ্āĻāϞেāϰ āĻāĻāĻি āĻĒ্āϰāĻāϞিāϤ āĻŦৃāĻ্āώ। āϤāĻŦে āĻ āύেāĻে āĻŽāύে āĻāϰেāύ, "āϏুāύ্āĻĻāϰ āĻŦāύ" āĻ āϰ্āĻĨে 'āϏুāύ্āĻĻāϰāĻŦāύ' āύাāĻŽāĻি āĻāϏেāĻে, āĻাāϰāĻŖ āĻāĻ āĻŦāύ āϏāϤ্āϝিāĻ āĻ āĻĒাāϰ āϏৌāύ্āĻĻāϰ্āϝেāϰ āĻāϧাāϰ।
āĻĒāϰিāĻŦেāĻļ āĻ āĻĒ্āϰāϤিāĻŦেāĻļ
āϏুāύ্āĻĻāϰāĻŦāύ āĻāĻāĻি āĻোāϝ়াāϰ-āĻাāĻাāϰ āĻŦāύ। āĻāĻাāύে āύāĻĻী, āĻাāϞ, āĻাāĻĄ়ি, āĻŦাāϞুāĻāϰ āĻ āĻĻ্āĻŦীāĻĒেāϰ āϏāĻŽাāĻšাāϰ āĻĻেāĻা āϝাāϝ়। āĻāĻাāύে āĻĒ্āϰāϤি ⧧⧍ āĻāĻŖ্āĻা āĻĒāϰāĻĒāϰ āĻোāϝ়াāϰ āĻ āĻাāĻা āĻšāϝ়, āϝা āĻŦāύāĻ āĻĒāϰিāĻŦেāĻļে āĻŦৈāĻিāϤ্āϰ্āϝ āϏৃāώ্āĻি āĻāϰে। āĻāĻ āĻŦāύ āĻŽূāϞāϤ āϞāĻŦāĻŖাāĻ্āϤ āĻĒাāύি āĻ āĻŽিāĻ া āĻĒাāύিāϰ āϏংāĻŽিāĻļ্āϰāĻŖে āĻāĻ িāϤ, āĻĢāϞে āĻāĻাāύে āĻāĻĄ়ে āĻāĻ েāĻে āĻāĻ āĻŦিāĻļেāώ āϧāϰāύেāϰ āĻāĻোāϏিāϏ্āĻেāĻŽ।
āĻĒ্āϰাāĻŖিāĻāĻā§
āϏুāύ্āĻĻāϰāĻŦāύেāϰ āϏāĻŦāĻেāϝ়ে āĻŦিāĻ্āϝাāϤ āĻĒ্āϰাāĻŖী āĻšāϞো āϰāϝ়েāϞ āĻŦেāĻ্āĻāϞ āĻাāĻāĻাāϰ। āĻāĻি āĻŦিāĻļ্āĻŦে āĻŦাāĻেāϰ āϏāĻŦāĻেāϝ়ে āĻļāĻ্āϤিāĻļাāϞী āĻ āϰāĻšāϏ্āϝāĻŽāϝ় āĻĒ্āϰāĻাāϤি। āĻāĻাāĻĄ়াāĻ āĻāĻাāύে āĻĒাāĻāϝ়া āϝাāϝ়:
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āĻিāϤ্āϰāϞ āĻšāϰিāĻŖ
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āĻŦাāύāϰ
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āĻ āĻāĻāϰ
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āĻুāĻŽিāϰ
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āĻোāϞāĻĒাāϤা āĻাঁāĻāĻĄ়া
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āĻāĻ্āĻāĻĒ
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āĻŦāĻ, āĻŽাāĻāϰাāĻা, āĻŽাāĻāĻেāĻো āĻĒাāĻি āĻāϤ্āϝাāĻĻি।
āĻāĻাāύে āĻĒ্āϰাāϝ় ā§Ēā§Ģā§Ļ+ āĻĒ্āϰāĻাāϤিāϰ āĻŦāύ্āϝāĻĒ্āϰাāĻŖী, ā§Šā§Šā§Ļ+ āĻĒ্āϰāĻাāϤিāϰ āĻĒাāĻি āĻ āĻ āϏংāĻ্āϝ āĻŽাāĻেāϰ āĻĒ্āϰāĻাāϤি āĻŦāϏāĻŦাāϏ āĻāϰে। āϏুāύ্āĻĻāϰāĻŦāύেāϰ āĻীāĻŦāĻŦৈāĻিāϤ্āϰ্āϝ āĻŦিāĻļ্āĻŦে āĻŦিāϰāϞ।
āĻāĻĻ্āĻিāĻĻ āĻāĻāϤ
āϏুāύ্āĻĻāϰāĻŦāύে āĻŦেāĻļ āĻāϝ়েāĻāĻি āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻাāĻেāϰ āĻĒ্āϰāĻাāϤি āϰā§েāĻে, āϝেāĻŽāύ:
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āϏুāύ্āĻĻāϰী āĻাāĻ
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āĻেāĻāϝ়া
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āĻāĻĄ়াāύ
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āĻĒāĻļুāϰ
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āĻোāϞāĻĒাāϤা
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āĻেāĻāĻĄ়া
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āĻšিāĻ্āĻুāϞ
āĻāĻāϏāĻŦ āĻাāĻ āϞāĻŦāĻŖাāĻ্āϤ āĻĒাāύিāϤে āĻিāĻে āĻĨাāĻাāϰ āĻŽāϤো āĻāĻĒāϝোāĻী āĻāĻŦং āĻূāĻŽিāĻ্āώāϝ় āϰোāϧে āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻূāĻŽিāĻা āĻĒাāϞāύ āĻāϰে।
āĻ āϰ্āĻĨāύৈāϤিāĻ āĻুāϰুāϤ্āĻŦ
āϏুāύ্āĻĻāϰāĻŦāύ āĻŦাংāϞাāĻĻেāĻļেāϰ āĻ āϰ্āĻĨāύীāϤিāϤে āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ āĻ āĻŦāĻĻাāύ āϰাāĻে:
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āĻŽৌāϏুāĻŽি āĻŽāϧু āϏংāĻ্āϰāĻš: āĻĒ্āϰāϤি āĻŦāĻāϰ āĻšাāĻাāϰ āĻšাāĻাāϰ āĻŽাāύুāώ āϏুāύ্āĻĻāϰāĻŦāύ āĻĨেāĻে āĻĒ্āϰাāĻৃāϤিāĻ āĻŽāϧু āϏংāĻ্āϰāĻš āĻāϰে।
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āĻŽā§āϏ্āϝ āϏāĻŽ্āĻĒāĻĻ: āϏুāύ্āĻĻāϰāĻŦāύেāϰ āύāĻĻী āĻ āĻাāϞে āĻŽাāĻ āϧāϰাāϰ āĻŽাāϧ্āϝāĻŽে āĻ āύেāĻ āĻŽাāύুāώ āĻীāĻŦিāĻা āύিāϰ্āĻŦাāĻš āĻāϰে।
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āĻাāĻ āĻ āĻোāϞāĻĒাāϤা āϏংāĻ্āϰāĻš: āĻŦāύāĻ āϏāĻŽ্āĻĒāĻĻ āĻšিāϏেāĻŦেāĻ āϏুāύ্āĻĻāϰāĻŦāύ āϏāĻŽৃāĻĻ্āϧ।
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āĻĒāϰ্āϝāĻāύ: āĻĻেāĻļি-āĻŦিāĻĻেāĻļি āĻĒāϰ্āϝāĻāĻāĻĻেāϰ āĻাāĻে āĻāĻি āĻāĻāϰ্āώāĻŖীā§ āϏ্āĻĨাāύ।
āĻĒ্āϰাāĻৃāϤিāĻ āĻĻুāϰ্āϝোāĻে āϏুāύ্āĻĻāϰāĻŦāύেāϰ āĻূāĻŽিāĻা
āϏুāύ্āĻĻāϰāĻŦāύ āĻāĻāĻি āĻĒ্āϰাāĻৃāϤিāĻ āĻŦাঁāϧ āĻšিāϏেāĻŦে āĻাāĻ āĻāϰে। āĻāĻি āĻূāϰ্āĻŖিāĻāĻĄ় āĻ āĻāϞোāĻ্āĻ্āĻŦাāϏ āĻĨেāĻে āĻāĻĒāĻূāϞীāϝ় āĻ āĻ্āĻāϞāĻে āϰāĻ্āώা āĻāϰে। āϝেāĻŽāύ:
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⧍ā§Ļā§Ļā§ āϏাāϞেāϰ āϏিāĻĄāϰ
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⧍ā§Ļā§Ļ⧝ āϏাāϞেāϰ āĻāĻāϞা
āĻāĻ āĻā§াāĻŦāĻš āĻূāϰ্āĻŖিāĻā§েāϰ āϏāĻŽā§ āϏুāύ্āĻĻāϰāĻŦāύ āĻāĻĒāĻূāϞীā§ āĻāϞাāĻাāϰ āĻ āύেāĻ āĻ্āώāϤি āĻĨেāĻে āĻŦাংāϞাāĻĻেāĻļāĻে āϰāĻ্āώা āĻāϰেāĻিāϞ।
āĻāĻāύেāϏ্āĻো āϏ্āĻŦীāĻৃāϤি
⧧⧝⧝⧠āϏাāϞে āϏুāύ্āĻĻāϰāĻŦāύāĻে āĻāĻāύেāϏ্āĻো āĻā§াāϰ্āϞ্āĻĄ āĻšেāϰিāĻেāĻ āϏাāĻāĻ āĻšিāϏেāĻŦে āϏ্āĻŦীāĻৃāϤি āĻĻেāϝ়। āĻāĻি āĻĒ্āϰāĻŽাāĻŖ āĻāϰে āϝে āϏুāύ্āĻĻāϰāĻŦāύেāϰ āĻĒ্āϰাāĻৃāϤিāĻ āϏৌāύ্āĻĻāϰ্āϝ āĻ āĻĒāϰিāĻŦেāĻļāĻāϤ āĻুāϰুāϤ্āĻŦ āĻāύ্āϤāϰ্āĻাāϤিāĻāĻাāĻŦে āϏ্āĻŦীāĻৃāϤ।
āĻšুāĻŽāĻি āĻ āĻ্āϝাāϞেāĻ্āĻ
āϏুāύ্āĻĻāϰāĻŦāύ āĻŦāϰ্āϤāĻŽাāύে āύাāύা āϧāϰāύেāϰ āĻšুāĻŽāĻিāϰ āĻŽুāĻে āϰā§েāĻে:
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āĻŦāύ āύিāϧāύ āĻ āĻ āĻŦৈāϧ āĻাāĻ āĻাāĻা
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āĻĻূāώāĻŖ – āĻļিāϞ্āĻĒ āĻāϞāĻাāϰāĻাāύাāϰ āĻŦāϰ্āĻ্āϝ āύāĻĻীāϤে āĻĒāĻĄ়ে āĻĒāϰিāĻŦেāĻļ āĻĻূāώিāϤ āĻāϰāĻে
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āĻāϞāĻŦাāϝ়ু āĻĒāϰিāĻŦāϰ্āϤāύ – āϏāĻŽুāĻĻ্āϰāĻĒৃāώ্āĻ েāϰ āĻāĻ্āĻāϤা āĻŦৃāĻĻ্āϧিāϰ āĻĢāϞে āĻŦāύাāĻ্āĻāϞ āĻšাāϰিāϝ়ে āϝাāĻ্āĻে
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āĻŦāύ্āϝāĻĒ্āϰাāĻŖী āĻļিāĻাāϰ āĻ āĻĒাāĻাāϰ
āĻāĻাā§া, āϏুāύ্āĻĻāϰāĻŦāύেāϰ āĻāĻļেāĻĒাāĻļেāϰ āĻিāĻু āĻļিāϞ্āĻĒāĻĒ্āϰāϤিāώ্āĻ াāύ āĻ āĻā§āϞাāĻিāϤ্āϤিāĻ āĻŦিāĻĻ্āϝুā§āĻেāύ্āĻĻ্āϰেāϰ āĻাāϰāĻŖে āĻāϰ āĻĒāϰিāĻŦেāĻļ āĻŽাāϰাāϤ্āĻŽāĻāĻাāĻŦে āĻšুāĻŽāĻিāϰ āĻŽুāĻে āĻĒā§āĻে।
āϏংāϰāĻ্āώāĻŖ āĻাāϰ্āϝāĻ্āϰāĻŽ
āϏুāύ্āĻĻāϰāĻŦāύ āϰāĻ্āώাāϰ āĻāύ্āϝ āĻŦাংāϞাāĻĻেāĻļ āϏāϰāĻাāϰ āĻŦিāĻিāύ্āύ āĻĒāĻĻāĻ্āώেāĻĒ āύিā§েāĻে, āϝেāĻŽāύ:
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āĻĢāϰেāϏ্āĻ āĻাāϰ্āĻĄ āύিāϝ়োāĻ
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āĻŦāύেāϰ āĻ āĻ্āϝāύ্āϤāϰে āϏীāĻŽিāϤ āĻĒ্āϰāĻŦেāĻļাāϧিāĻাāϰ
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āϰাāĻŽāϏাāϰ āϏাāĻāĻ āĻšিāϏেāĻŦে āĻ āύ্āϤāϰ্āĻুāĻ্āϤি
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āϏুāύ্āĻĻāϰāĻŦāύ āĻĻিāĻŦāϏ āĻĒাāϞāύ (ā§§ā§Ē āĻĢেāĻŦ্āϰুāϝ়াāϰি)
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āĻāύāϏāĻেāϤāύāϤা āĻŦৃāĻĻ্āϧি
āĻŦিāĻিāύ্āύ āĻāύāĻিāĻ āĻāĻŦং āĻāύ্āϤāϰ্āĻাāϤিāĻ āϏংāϏ্āĻĨা āϏুāύ্āĻĻāϰāĻŦāύ āϏংāϰāĻ্āώāĻŖেāϰ āĻāύ্āϝ āĻাāĻ āĻāϰāĻে।
āĻĒāϰ্āϝāĻāύেāϰ āĻĻিāĻ āĻĨেāĻে āϏুāύ্āĻĻāϰāĻŦāύ
āϏুāύ্āĻĻāϰāĻŦāύে āĻ্āϰāĻŽāĻŖেāϰ āĻāύ্āϝ āĻāύāĻĒ্āϰিāϝ় āĻিāĻু āϏ্āĻĨাāύ:
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āĻāĻāĻা
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āĻāĻিāĻাāϞী
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āĻšাāϰāĻŦাāĻĄ়িāϝ়া
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āĻĻুāĻŦāϞাāϰ āĻāϰ (āϰাāĻļāĻŽেāϞা āĻ āύুāώ্āĻ িāϤ āĻšāϝ়)
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āĻšিāϰāĻŖ āĻĒāϝ়েāύ্āĻ
āĻĒāϰ্āϝāĻāĻেāϰা āϏাāϧাāϰāĻŖāϤ āύāĻĻীāĻĒāĻĨে āĻ্āϰāĻŽāĻŖ āĻāϰে āϏুāύ্āĻĻāϰāĻŦāύেāϰ āϏৌāύ্āĻĻāϰ্āϝ āĻāĻĒāĻোāĻ āĻāϰেāύ।
āĻāĻĒāϏংāĻšাāϰ
āϏুāύ্āĻĻāϰāĻŦāύ āĻļুāϧু āĻāĻāĻি āĻŦāύ āύāϝ়, āĻāĻি āĻŦাংāϞাāĻĻেāĻļেāϰ āĻĒ্āϰাāĻŖ, āĻāĻŽাāĻĻেāϰ āĻাāϤীāϝ় āĻāϤিāĻš্āϝেāϰ āĻāĻāĻি āĻ ংāĻļ। āĻāĻ āĻŦāύ āĻāĻŽাāĻĻেāϰ āĻ āϰ্āĻĨāύীāϤি, āĻĒāϰিāĻŦেāĻļ āĻ āĻĒ্āϰাāĻŖāĻŦৈāĻিāϤ্āϰ্āϝেāϰ āĻāύ্āϝ āĻ āϤ্āϝāύ্āϤ āĻুāϰুāϤ্āĻŦāĻĒূāϰ্āĻŖ। āϤাāĻ āĻāĻŽাāĻĻেāϰ āϏāĻāϞেāϰ āĻĻাāϝ়িāϤ্āĻŦ āϏুāύ্āĻĻāϰāĻŦāύāĻে āĻাāϞোāĻŦাāϏা, āϰāĻ্āώা āĻāϰা āĻ āĻāĻŦিāώ্āϝ⧠āĻĒ্āϰāĻāύ্āĻŽেāϰ āĻāύ্āϝ āĻিāĻিā§ে āϰাāĻা।
āĻāĻŽāϰা āϝāĻĻি āϏāĻŦাāĻ āϏāĻেāϤāύ āĻšāĻ āĻāĻŦং āϏুāύ্āĻĻāϰāĻŦāύেāϰ āĻĒ্āϰāϤি āĻĻাāϝ়িāϤ্āĻŦāĻļীāϞ āĻāĻāϰāĻŖ āĻāϰি, āϤাāĻšāϞে āĻāĻ āĻ āύāύ্āϝ āĻĒ্āϰāĻৃāϤিāĻ āϧāύ āĻāĻŽাāĻĻেāϰ āĻāĻŦিāώ্āϝāϤেāϰ āĻāύ্āϝ āĻāĻ āĻāĻļীāϰ্āĻŦাāĻĻ āĻšāϝ়ে āĻĨাāĻāĻŦে।
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